:48:00
What?
:48:02
My heart just
isn't in this...
:48:04
Like, I shouldn't
be wasting my time
:48:07
on something...
:48:08
that isn't...
that important really,
:48:14
I've been watching Suzan,
and she's...
:48:17
She's great,
:48:18
She's... She's very--
:48:20
She's a much better dancer
than I am,
:48:22
Terrific,
:48:23
Suzan's terrific,
I'm not denying that,
:48:26
but you--I thought
you lived for musicals,
:48:28
So you've been pretending
the whole time?
:48:31
Yes,
:48:33
I've just been pretending,
:48:36
I don't know what else
I could do with you,
:48:37
I've got everything
cast right now,
:48:39
Yeah,
:48:41
The only part that's left
is the old nun
:48:43
who lets maria out
of the convent gate,
:48:45
I don't think
you'd want that part,
:48:47
There's no dancing
in that,
:48:50
She's
quite serious then?
:48:52
She's serious,
:48:53
It's important
for the part,
:48:55
Okay, I'm not
dancing really,
:48:58
No,
:49:00
I could put a little bit
of dancing in there,
:49:03
You think so?
:49:04
It--I didn't
have it in mind,
:49:07
You can have
your tapping,
:49:10
She could be just
a little... humorous
:49:13
once in a while...
:49:15
even though
she's a nun,
:49:19
You'll always be
my perfect Maria,
:49:24
Where are all
the hairpins today?
:49:26
I left them at home,
:49:28
And she won't be
playing Maria,
:49:31
What do you reckon
I'm gonna do
:49:33
if I can't bawl you out
for learning your lines
:49:34
on company time?
:49:36
One...two...
:49:38
Three!
:49:42
What kind of a joke
is that?
:49:44
Well, she's beating me,
:49:45
I need a word with you,
:49:47
We're talking
right now,
:49:49
All right...
:49:50
Come on,