1:22:00
I think maybe we
could do your scene,
1:22:02
Let's do
the tapping scene,
1:22:04
Okay? We haven't
done it in weeks,
1:22:06
and we really need
to rehearse it,
1:22:07
and while you're here,
we might as well
1:22:08
take advantage
of the time, please?
1:22:11
Okay, let's do
the tapping scene,
1:22:13
You come offstage--
1:22:14
Let me have
the nuns up there,
1:22:15
Imagi--
you're going to do
1:22:17
Selma's part
for her
1:22:17
for right now,
all right?
1:22:23
You like it?
1:22:24
Yes,
1:22:26
We haven't done it
for a while,
1:22:53
Remember that part
we did where--
1:22:54
where you, uh...
1:22:56
you come to
the convent gate
1:22:58
to say goodbye
to the--to Maria?
1:23:00
I should leave, Jeff,
1:23:02
What?
1:23:03
Gene--Gene is
probably worried now,
1:23:05
I haven't seen him
all day,
1:23:07
All right,
1:23:10
I'm sorry, Samuel, but...
1:23:12
Betty, come here
for a second, please,
1:23:14
The drummer
that you wanted--
1:23:15
Remember, you asked
me for a drummer?
1:23:17
I found somebody,
She's fantastic,
1:23:19
Her name's Betty,
She's right here
1:23:20
for the first time
tonight,
1:23:21
Please meet her,
Selma, this is Betty,
1:23:24
Hi, Betty,
1:23:25
You play the drums?
1:23:28
Yeah,
1:23:29
Tell her how long
you've been studying,
1:23:30
Two years,
1:23:32
She's wonderful,
1:23:33
You've got to stay
and enjoy this,
1:23:35
You've got to--
I have an idea,
1:23:37
Let's do the finale,
1:23:39
I just remembered,
you hate finales,
1:23:42
No finale!
1:23:43
I've a better idea,
1:23:46
"Climb Every Mountain,"
part one,