:59:00
Can you take me to Chano Pozo's crib?
:59:02
Chano Pozo's crib?
:59:04
You don't know who Chano is?
:59:10
I know who Chano is!
:59:12
This has nothing to do with you.
:59:14
No, hold on a second.
:59:19
Can you take me to his crib?
:59:21
His crib?
:59:24
Yes, of course.
:59:26
Mr. Gillespie, we have a tour. We have
the entire day planned out for you.
:59:30
That's okay, thank you very much.
:59:32
My boys'll go on the tour with you.
:59:34
Go with 'em, enjoy yourselves.
:59:38
It's a real honor.
:59:41
-What is this?
-It's my car.
:59:45
-Keep telling yourself that.
-Yes, sir.
:59:48
Watch yourself there. Okay, here we go.
:59:55
Okay, here we go.
:59:57
It's okay, thank you.
1:00:01
You sure you know who Chano Pozo is?
1:00:04
Mr. Gillespie, Luciano Pozo y González.
1:00:07
Better known as "Chano."
Cuban conga player you met in 1946.
1:00:12
Chano's from Belen,
which is just up the street here.
1:00:15
Dizzy Gillespie and Chano Pozo added a
whole new polyrhythmic structure to jazz.
1:00:20
You read the liner notes.
1:00:22
-I've read everything to be read about--
-I gotta tell you something.
1:00:27
Your car smells funny.
1:00:31
Gasoline.
1:00:32
Gasoline and tar.
1:00:34
I painted it with gasoline and tar.
1:00:37
Gasoline and tar?
1:00:38
You're supposed to put the car on the road,
not the road on the car.
1:00:42
Understand what I'm saying?