1:53:05
Oh, there's a container ship
at pier 14.
1:53:09
You might wanna check it out.
1:53:22
Can a good-lookin', hard-workin'
chef get a beer around here?
1:53:25
Come on, Tumbler. You ain't doin'
nothin'. Hand me a beer, baby.
1:53:29
All right. Memphis? Guys? Food!
1:53:31
Yeah, I was kind of busy. She wanted me
to kiss her and I'm getting some ribs.
1:53:36
Damn.
1:53:38
Ow. Ow.
1:53:40
Poor Toby, man.
Sure looks like he's in a lot of pain.
1:53:44
Hey, if that's pain,
you can shoot me any time.
1:53:47
Sexy, sassy.
1:53:51
If his unpleasant wounding has in
some way enlightened the rest of you
1:53:55
as to the grim finish below
the glossy veneer of criminal life,
1:53:58
and inspired you to change your ways,
1:54:01
then his injuries carry with it
an inherent nobility
1:54:04
and a supreme glory.
1:54:06
We should all be so fortunate.
1:54:08
You say, "Poor Toby."
1:54:12
I say, "Poor us."
1:54:15
- He spoke.
- Yeah.
1:54:17
Hey, man, I thought
you were from Long Beach.
1:54:22
Memphis. Hey.
1:54:27
- I have something for you.
- What is this?
1:54:29
Open it.
1:54:32
Keys. Keys are good.
What do I do with them?
1:54:36
Hey, everybody.
Everybody, inside here. Let's go.
1:54:40
Everybody, come on.
Let's go!
1:54:42
Ladies and gentlemen,
it's my great pleasure...
1:54:47
to present...
1:54:49
- Oh, man!
- Your very own Eleanor.
1:54:51
- What? What? It's Eleanor!
- Look at his face.
1:54:55
All yours.
1:54:58
It's a heap, but give me a couple of weeks
and it'll look like a streamlined butterfly.