:28:04
You know James Johnson.
:28:07
Tony, you know
Peggy Guggenheim, don't you?
:28:09
Tony Smith.
He's a wonderful architect.
:28:15
- Will.
- Hi.
:28:17
Mr. de Kooning.
:28:18
- Jackson.
- Mom.
:28:20
My, my, my. God is good.
:28:27
- How are you, Mom?
- I'm fine.
:28:29
- Who is this?
- Peggy Guggenheim. This is my mother.
:28:33
- How do you do?
- Lovely to meet you.
:28:35
- This is James Johnson Sweeney.
- You must be proud.
:28:38
Of all my boys.
:28:39
Jack, it looks great.
:28:42
- Well, enjoy.
- Yes, I will. Thank you all.
:28:56
I don't know what
he's trying to achieve.
:29:01
This isn't painting.
:29:06
- Are you leaving?
- I don't think it's so hot.
:29:09
Well, go back and look again.
:29:12
Lee, he's original. He's ambitious.
But there's a lot of mud...
:29:17
...and the titles are pretentious.
Muddiness... Mud abounds.
:29:23
Go back, Clem, and look again.
:29:32
- Read it. Read it.
- Wait a minute. Okay.
:29:35
"Jackson Pollock is participating
in his first one-man show.
:29:40
Being young and full of energy,
he takes orders he can't fill."
:29:45
- Thanks a lot, Clem.
- Listen.
:29:47
" Pollock has gone through
the influences of Miró, Picasso...
:29:50
...Mexican painting and whatnot,
and has come out on the other side...
:29:54
...painting mostly
with his own brush."
:29:57
- Not bad.
- " Mostly with his own brush"?