:22:05
THIS IS HOW BELGRADE
LOOKED IN APRIL 1941
:22:09
FILMED BY AN AMATEUR
BELGRADE CAMERAMAN.
:22:22
Bosa! Listen to me.
:22:26
You know what you have to do?
:22:27
I know. - First ring him.
- I know. On the telephone.
:22:30
You know what to tell him?
- Of course I do.
:22:32
Go on then, and don't screw up.
:22:34
When have I ever screwed up?
- When haven't you?
:22:37
So...
- You must have the last word...
:22:39
That's not true.
:22:54
Don't you know there's a war on?
:22:55
So what? - Look, Bosa's
been injured. It's serious.
:23:01
Put on something decent. We've
got to go to her parents'. Quick.
:23:07
As if you'd have come
with me any other way.
:23:08
Stop the car.
I'm getting out.
:23:11
Wait. I remembered
that film of yours last night...
:23:14
...the one you were thrown out
of the Academy for. - Piss off.
:23:17
Man, that was an ingenious film.
:23:20
What was the name of that
young actress I screwed?
:23:23
Milica?
- Yeah, Milica. Nice chick.
:23:26
I heard she hanged
herself after that.
:23:28
That was your greatest film.
:23:31
I realized then we'd work
together on something big.
:23:35
It was badly edited.
I didn't like it.
:23:37
Thank God
it was in black and white.
:23:39
Excellent story! A romance
between a German officer...
:23:42
and a resistance girl
in occupied Belgrade.
:23:44
Yeah, it was really funny!
:23:47
So, we've got an excellent story.
We've got the crew, the
:23:50
camera, the tape,
we've got Harvey.
:23:54
And we've got war!
:23:57
Get it?