:41:01
- Who's her agent?
- Mitch Cohen.
:41:03
- Get him on the phone.
- He's on the Island...
:41:05
get him on the phone.
I want you to hear this.
:41:08
It's ringing.
:41:09
I think that business matters
should be discussed between...
:41:12
I'm discussing them between you,
babe, because it's your idea.
:41:15
And you think you're going
to sign to do a job, then hold us up,
:41:17
Sweetheart, you're in error.
:41:19
- He's on the phone.
- Thank you.
:41:21
Mitch, this is Marty Rossen.
I'm in...
:41:23
I'm somewhere in the...
I'm on location.
:41:26
I'm going to solve it,
or this bimbo...
:41:28
will be doing a donkey act
on Public Access Television.
:41:32
Hi
:41:33
Her tits. Her tits.
Her tits. Her tits. Her tits.
:41:36
That she signed in her contract.
:41:39
We hired her because
of ten years at the Actors Studio?
:41:41
Her last two pictures laid there
on the screen like my first wife.
:41:45
- You have no right...
- Cool it. You started this.
:41:47
- What...
- Where have you been?
:41:49
No, you tell me. You tell me now.
:41:52
I got to shoot on Wednesday.
I won't pay your blood money.
:41:55
And P.S., I put the word out
:41:57
and Betty Boop can find work
in squiggle vision. Sit down.
:42:00
I don't think you should
talk to a lady like that.
:42:03
- Would you excuse me, please?
- You can't treat me like this.
:42:07
- She's absolutely right.
- I'm not a child. I have feelings.
:42:11
I mean, don't you...
Don't... Don't...
:42:14
Because I want to
tell you something
:42:16
and I think
you know what I mean.
:42:22
Well, you call him,
and call me back. But this is it, pal.
:42:25
You fuck with me, I'll tear out
your heart and piss on your lungs.
:42:30
And the best to Marion.
:42:33
Where have you been?
:42:34
He says they're
looking for you all day.
:42:35
You're on salary. He needs pages.
You been haying? Now...
:42:40
Later, Walt. Let's get this.
We need the pages for The Old Mill.
:42:43
- We need a new title, a...
- Rewrite for Bob's dead horse scene.
:42:47
Go do it.
How you doing on the permit?
:42:49
- It's just a formality.
- That's why I want it.
:42:52
Type it and get it back to me at...
:42:54
I can't.
:42:55
- Don't tell me you can't write it?
- I can't type it.
:42:58
Why?
:42:59
Hurt my finger.