1:11:01
Cut! And print.
1:11:04
We'll cut when he throws,
so that'll work fine.
1:11:07
- All right!
- Well done, Paul.
1:11:09
[Assistant Director] Listen, everyone,
we do not burn down the castle now.
1:11:12
That will be
a second-unit shot tomorrow.
1:11:15
That means everyone goes home early
and has tomorrow off.
1:11:18
- Whoo! All right!
- Okay, see you all Friday!
1:11:21
First thing!
1:11:36
[ Man ] Andyou've actually seen
these paintings quite recently.
1:11:39
Yeah, today.
1:11:41
Well, then that makes it easy.
They're fakes.
1:11:44
You can tell that
from the photographs?
1:11:47
Well, normally, no.
But, you see, these Rembrandts...
1:11:50
and this, The Olive Field
by Van Gogh,
1:11:53
unfortunately no longer exist.
1:11:55
During the bombing
ofBelgrade by NA TO,
1:11:58
the National Art Museum of Serbia
took a direct hit,
1:12:01
burned to the ground along with
the originals of these paintings...
1:12:05
and possibly the finest collection
of old masters in Eastern Europe.
1:12:09
It was a tragedy
for the art world.
1:12:12
Ergo, these must be copies, fakes.
1:12:19
That, um, Belgrade,
is that in Yugoslavia?
1:12:24
- Yeah.
- Where these paintings come from.
1:12:30
What if it wasn't
an accidental bombing...
1:12:33
and someone removed
the paintings first?
1:12:36
Spoils ofwar?
1:12:40
Maybe I should take a look at these.
Could you take me to them?
1:12:45
That's probably impossible.
1:12:48
But if I could get one of them
and bring it to you and it was real,
1:12:53
that means the rest
are probably real, right?
1:12:55
You must call me the minute
you find one. I have to see them.
1:12:59
- No worries.
- Thankyou. Thankyou.