:32:02
What about-- Did you like
the Memphis Minnie?
:32:04
That was good, too.
The whole record was good...
:32:06
but that one song,
"Devil Got My Woman..."
:32:09
I mostly just keep playing that
over and over.
:32:12
Do you have any other records
like that?
:32:13
There are no other records
like that.
:32:16
Actually, I have the original 78
in my collection.
:32:20
It's one of maybe
five known copies.
:32:23
Wow.
:32:25
Yeah. Do you want to see it?
:32:27
I can run upstairs
and get it.
:32:29
Sure, yeah.
:32:32
Watch my stuff.
:32:37
Here we go. It's...
:32:40
It's only about a B-minus.
:32:41
It's got
an incipient lam crack...
:32:43
but it plays decent
as I recall.
:32:49
- Oops, I dropped it!
- Jeez!
:32:52
I was only kidding.
:32:55
Jesus, Seymour,
are you all right?
:32:57
Yeah, it's just...
:32:59
it's very valuable.
:33:02
Now, last week, I asked you...
:33:05
to try to create
a piece of artwork...
:33:06
that responds to something
you have strong feelings about.
:33:11
I merely want to help you
find...
:33:15
the best way
to look within yourselves...
:33:18
the best key
to your particular lock.
:33:22
And it looks like we have some
really interesting work up here.
:33:26
Thanks.
:33:30
What can you tell us
about your piece...
:33:33
Phillip?
:33:37
It's about The Mutilator.
:33:41
My goodness.
:33:43
It's a really great
video game...
:33:45
about a guy who kills people
with a big hammer.
:33:48
Oh. I thought maybe this was
supposed to be your father.
:33:55
What can you tell us
about this piece..
:33:58
- Enid.
- Enid.