:45:00
No, it really doesn't.
You'll see.
:45:04
You'll get totally
sick of all the creeps...
:45:05
and losers and weirdos.
:45:07
But those are our people.
:45:09
Yeah, well.
:45:14
So, when are you going
to get a job?
:45:18
I'm working on it.
Got a few leads.
:45:21
Don't worry about it.
I'll get a job next week.
:45:24
God, I can't believe you went
to Anthony's without me.
:45:31
Oh, sweetie.
:45:33
Honey, would you come in here
for a minute?
:45:38
Sweetie, you remember Maxine?
:45:48
I'm going to go to bed.
I'm really tired.
:45:50
Honey, I made spaghetti.
You don't want some?
:45:53
No. I have to get up early
for class tomorrow.
:45:55
It's really quite something
to see you all grown up, Enid.
:46:02
I'd love to know
what you're doing now.
:46:03
I can't help but feel...
:46:05
I had some small part
in how you turned out.
:46:10
What are you studying?
:46:12
You were always
such a smart little girl.
:46:16
I'm taking a remedial
high school art class...
:46:19
for fuck-ups and retards.
:46:23
Who is this, Enid?
:46:26
It's supposed to be Don Knotts.
:46:28
And what was your reason for
choosing him as your subject?
:46:34
I don't know.
I just like Don Knotts.
:46:38
Interesting.
:46:39
What do we have here, Margaret?
:46:42
It's a tampon in a teacup.
:46:45
I can see that.
:46:47
What can you tell us about it?
:46:48
First of all,
what kind of sculpture is this?
:46:51
It's a found object.
:46:53
That's where an artist
takes an ordinary object...
:46:56
and places it
in an artistic context...
:46:57
and thus, it becomes art.
:46:58
But what can you
tell us about it...