:25:02
- He isn't Scottish at all.
- No!
:25:05
I could've told you that.
:25:07
Who is he, then?
:25:09
Do you think
he's the murderer?
:25:11
It's worse than that.
He's an actor.
:25:15
Yes, I want you to wake him up.
:25:18
How else do you suggest
I talk to him?
:25:20
Yes. Right.
Well, what'd he say?
:25:23
What, he's talking about
Clara Bow again?
:25:25
Listen, you tell Sheehan I think
Clara Bow is a really nice person,
:25:29
and she's not coming within
ten miles of my picture.
:25:32
I don't want her
in the fucking movie.
:25:34
There is one thing. The bastard's
death may have saved my bacon.
:25:38
For God's sake, be quiet.
What's the matter with you?
:25:44
Arthur.
:25:47
- Oh, are these tomatoes?
- Yes, milady.
:25:50
That's exactly
what I want.
:25:53
- Good morning.
- Good morning, dear.
:25:56
Have you heard?
:25:58
It's too tiresome. That frightful
inspector won't let anyone leave.
:26:02
So we're to be treated
to another day of Mr. Weissman
shouting down the telephone.
:26:07
He has some problems with his work
in Los Angeles, I'm afraid.
:26:11
Well, I must say,
he conducts his affairs very oddly.
:26:14
Coming downstairs just now,
I thought I'd been transported
to a bar in Marseilles.
:26:18
Jennings? Excuse me. I'm sorry.
:26:20
I'm expecting
a really important telephone call.
:26:23
- Will you get me
the second it comes through?
- Very good, sir.
:26:26
And I'd like, uh, oh,
tomato and eggs. Thank you.
:26:29
Of course, sir, but...
:26:31
perhaps you would prefer to
choose for yourself, sir?
:26:35
What do you mean,
like cafeteria style?
:26:38
The Englishman is never
waited on at breakfast.
:26:41
Really?
Well, that's interesting.
:26:43
Because an American is.
Wow.
:26:45
I'm going to
make a note of that.
:26:51
Good morning.
:26:53
Good morning.