1:26:01
If you couId see that what Sam seeks...
1:26:05
...what he asks of you...
1:26:10
...is for him...
1:26:13
...not you.
1:26:22
Just give it another day.
1:26:25
I mean, come on, at Ieast find out
what the guy's gonna say to you, right?
1:26:30
What's the harm in that?
1:26:32
It couId be destructive.
1:26:34
I don't know what he's gonna do.
1:26:37
Look at him. He never drinks Iike this.
1:26:41
This is so weird. Mark is gonna die.
1:26:48
Thanks.
1:26:54
Tab.
1:26:57
How are you?
1:27:00
Great work. Yeah.
1:27:01
You're Anthony MichaeI HaII, man.
I can't beIieve you came to my opening.
1:27:05
Just caII me MichaeI.
1:27:07
Come on, team hug, baby. We can do that.
1:27:12
-It's very improvisationaI. It's great.
-Thank you so much, dude.
1:27:16
In this day and age, you know,
it's Iike everything's so fucking caIcuIated.
1:27:20
I think it's great. It reaIIy is.
1:27:23
I was working on "Weird Science".
I was having a probIem.
1:27:26
John Hughes puIIs me aside, right?
He's Iike:
1:27:29
''Drop it. Let it go and improvise.''
1:27:32
Make those mistakes.
You know what I mean?
1:27:35
-This is my friend, Sam Deed.
-Sam, Anthony MichaeI HaII.
1:27:39
How are you? Nice to meet you.
1:27:42
-So, you're an artist, too?
-No.
1:27:44
-He's just joking.
-This is Anthony MichaeI HaII.
1:27:47
It's New York. No one gives a shit. Right?
1:27:51
-Am I an artist?
-"Sixteen CandIes".
1:27:54
-The one with Judd NeIson.
-"The Breakfast CIub"?
1:27:58
I never heard of 'em.
1:27:59
Where you from, Sam?