1:35:00
Beautiful girIs with bourgeois bearing.
1:35:03
Inaccessible to the working class,
with sIut authenticity.
1:35:09
That's about it really.
It's all pretty banal.
1:35:16
And yet...
1:35:18
...occasionally...
1:35:20
...one of them wilI exude something
on camera, almost unreal...
1:35:25
...violent or very poetic.
1:35:28
It's often involuntary, out of the blue.
1:35:32
Take Sandra Martin...
1:35:35
...in ''Little GirIs Hotel''.
1:35:37
When she comes at the end...
1:35:39
...I was almost in tears
when I shot the scene.
1:35:45
In my films...
1:35:48
...there's always something beautiful.
Even if you find the rest terribly ugly.
1:35:55
Why?
1:35:56
Because it's pure, raw sex.
1:35:59
And therefore profoundly human.
1:36:03
But there's something painful
in these films.
1:36:08
Shall we talk about pain?
1:36:11
As you wish.
1:36:16
Since 84, you've hardly done anything.
1:36:20
Money had run out,
and it became boring.
1:36:24
I couldn't film what I wanted.
-Such as?
1:36:28
The last one I never made...
1:36:30
...was a big fox hunt,
where the fox was a girI.
1:36:35
Obviously.
-Obviously what?
1:36:38
You find that immoral?
1:36:42
I meant obviously,
that's a hard film to make.
1:36:45
Yes and I didn't make it.
1:36:49
Because today,
it seems there's a porno revival.
1:36:52
Even you are back.
1:36:54
It's all I know how to do.
And I needed the money.
1:36:59
What do you live on since 84?