1:31:00
I liked my parents
though they weren't very curious.
1:31:06
I don't know what else I can add.
1:31:11
I came to Paris in 1967...
1:31:15
...to help a friend open an antique shop.
1:31:18
My parents helped me out financially.
1:31:22
Things were a lot easier back then.
1:31:25
You entered a bar, met a guy...
1:31:28
...the next morning you had a new job.
1:31:33
Everything was politicized.
1:31:35
Making pornographic films
was also a political act.
1:31:40
So we started making films...
1:31:42
...with girIs we met in bars.
1:31:44
Or friends, or strangers for whom
it was more fun than orgies.
1:31:50
In ''I'm hard...
1:31:52
...I come, I sing''...
1:31:55
...friends hung out on the set.
An hour later they were acting.
1:32:00
Which gave us amazing scenes,
total anarchy.
1:32:04
Then we started
a production company...
1:32:08
So then things get serious.
1:32:11
Of course, to continue,
you had to go professional.
1:32:16
Of course, I go to the cinema.
I'm not stupid.
1:32:21
I know about Bergman, Antonioni...
a certain modernity...
1:32:26
But as for me...
1:32:29
...I make porn films.
1:32:33
I could've filmed nude women
in front of factories.
1:32:36
But it wouldn't have been exciting.
And people liked what I did.
1:32:42
And besides, I enjoyed what I did.
1:32:50
Which is your favorite film?
1:32:56
''Diary of a Sow.''
1:32:59
It's a true story,
almost autobiographical.