:06:02
How do you do?
:06:04
My name is Henri Marie Raymond
Toulouse-Lautrec Monfa.
:06:09
- What?
- I'm terribly sorry about all this.
:06:11
- We were just upstairs
rehearsing a play.
- What?
:06:13
A play, something very modern
called Spectacular Spectacular.
:06:18
- And it's set in Switzerland.
- Unfortunately,
the unconscious Argentinean...
:06:22
suffered from a sickness
called narcolepsy.
:06:24
Perfectly fine one moment,
then suddenly -- [ Snores ]
unconscious the next.
:06:27
- [ Glass Breaking ]
- [ Man, High Voice ] How is he?
:06:30
Wonderful. Now the narcoleptic
Argentinean is now unconscious.
:06:34
Therefore, the scenario will not
be finished in time to present
to the financier tomorrow.
:06:37
He's right, Toulouse.
I still have to finish the music.
:06:39
- Find someone to read the part.
- Where in heaven's name are we
going to find someone...
:06:43
to read the role of a young,
sensitive Swiss poet / goat-herder?
:06:47
[ Narrator Continues ]
Before I knew it, I was upstairs,
:06:49
standing in for
the unconscious Argentinean.
:06:51
The hills animate
:06:54
With the euphonious symphonies
of descant
:06:58
Ha, ha, ha-ha-ha
:07:01
Oh, stop, stop!
Stop, stop, stop, stop!
:07:02
Stop that insufferable droning.
It's drowning out my words.
:07:06
Can we please just stick
to a little decorative piano?
:07:08
There seemed to be artistic differences
over Audrey's lyrics to Satie's songs.
:07:12
I don't think a nun
would say that about a hill.
:07:14
What if he sings, "The hills are vital,
intoning the descant"?
:07:17
- No, no. The hills quake and shake.
- No, no, no, no. The hills--
:07:21
The hills are incarnate
with symphonic melodies!
:07:24
[ Crashing Sound ]
:07:26
- No.
- No. The hills--
:07:28
- The hills--
- The hills--
:07:30
Are chanting
the eternal mantra.
:07:33
Frank is living in my foot.
:07:34
[ All Arguing ]
:07:37
The hills are alive
:07:44
With the sound
:07:46
Of music
:07:54
Whoa!
:07:57
The hills are alive with
the sound of music! I love it!