:30:11
The interpretation of the image,
where to place the camera. . .
:30:15
. . .the nature of the subject matter. . .
:30:19
. . .which at that time, everything was
opening up in the early '60s. . .
:30:22
. . .and it was scandalous.
:30:24
Put your head back.
:30:26
Put your head back.
:30:29
Open your mouth.
:30:31
You can have one little bite.
:30:32
I think what a lot of people forget. . .
:30:35
. . .is just what a hot book
Lolita was.
:30:38
Originally, Nabokov couldn't get
a publisher in the States or the UK. . .
:30:43
. . .so it was published
as a dirty book in Paris.
:30:46
It was in 1 955 that Graham Greene
and The Sunday Times in London. . .
:30:51
. . .nominated it as his
novel of the year.
:30:54
It then took off
and it very soon found a publisher.
:30:57
He thought Lolita
was a fantastic book. . .
:31:01
. . .because it clarified
the feeling we all have. . .
:31:04
. . .that good and evil does not
come in the expected package.
:31:16
I guess I won't be seeing you again.
:31:20
I shall be moving on.
:31:22
I must prepare for my work
at Beardsley College in the fall.
:31:26
Then I guess this is goodbye.
:31:30
Yes.
:31:33
Don't forget me.
:31:40
It shocks me when people say
Stanley didn't make "people" movies.
:31:44
He made movies about machines or. . . .
:31:48
It's always confounded me.
:31:50
Lolita is, you know,
nothing like the book.
:31:53
But he did draft the author
to write the screenplay.
:31:58
They were in collaboration
with each other. . .