1:31:00
I said, "On what basis, Stanley?"
And he said...
1:31:04
As the existential, pragmatic
man that he was, he said:
1:31:09
"Well, in some way this movie
is about ghosts.
1:31:13
Anything that says there's anything
after death is an optimistic story. "
1:31:18
The Shining has images
that I wake up screaming about.
1:31:21
That little boy in the hall.
1:31:23
The tracking shot. . .
1:31:25
The boy on the bike.
1:31:26
. . .of the boy.
1:31:27
The sense of movement it gave that
picture inside this foreboding place.
1:32:01
You know something
is building up in this place.
1:32:04
And the way...
1:32:07
It's the blandness, let's say,
of the people.
1:32:10
How quiet they are.
1:32:12
Is Tony the one that
tells you things?
1:32:20
How does he tell you things?
1:32:24
It's like I go to sleep
and he shows me things.
1:32:28
But when I wake up,
I can't remember everything.
1:32:33
Has Tony ever told you
anything about this place?
1:32:37
About the Overlook Hotel?
1:32:40
It's holding back this emotional,
powerful punch that'll happen.
1:32:43
You know it'll come somehow,
at some time. . .
1:32:47
. . .and it just creates such suspense.
1:32:50
Is there something bad here?
1:32:58
At first I was taken aback
by the performance. . .