1:34:02
"In movies you don't. . .
1:34:04
. . .try and photograph the reality. . .
1:34:08
. . .you try and photograph
the photograph of the reality. "
1:34:12
I knew it wouldn't be a performance
about idiosyncratic behaviorism. . .
1:34:18
. . .but that it would be...
I always thought of it as balletic. . .
1:34:22
. . .in The Shining.
1:34:23
Another lesson was,
"Here Jack. . .
1:34:26
. . .the script says,
'Jack is not writing.'
1:34:29
The question is, what is he doing?"
1:34:32
I said, "Whenever I'm inside
a big empty place. . .
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. . .that you normally
wouldn't be alone in. . .
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. . .I always think of doing things
that I might do outside. "
1:34:44
And that's where throwing that
tennis ball all during the picture...
1:34:48
And it wound up being
a big part of staging.
1:34:51
It rolls into things. . .
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. . .it's thrown the length of hallways,
all those kinds of things.
1:34:58
And it's from those little things
that he would develop. . .
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. . .preconceived idiosyncrasy.
1:35:04
He always knew
what he was going to get.
1:35:07
He said often that every scene,
really, has been done.
1:35:12
Our job is always to do it
just a little bit better.
1:35:16
Mr. Grady. . .
1:35:18
. . .you were the caretaker here.
1:35:28
I'm sorry to differ with you, sir.
1:35:33
But you. . .
1:35:35
. . .are the caretaker.
1:35:39
You've always been the caretaker.
1:35:45
I should know, sir.
1:35:48
I've always been here.
1:35:50
We had a good, friendly relationship.
1:35:53
I mean he'd turn on you
in a moment and say:
1:35:57
"All right, you're the big fella.
Let's see it. "