1:36:00
That's about as harsh
as he ever got with me.
1:36:04
He was a completely different
director with Shelley.
1:36:07
-Roll the video?
-Two seconds.
1:36:09
We're killing ourselves. Be ready!
1:36:12
-I'm standing right by the door.
-Mood music?
1:36:14
-I can't hear.
-When you came out like this...
1:36:17
-Look desperate.
-They say, "Wait. "
1:36:19
-Then you say, "Go. "
-You've got to look desperate.
1:36:22
-You're wasting our time.
-I can't get the door open.
1:36:25
For a person so charming
and so likeable. . .
1:36:30
. . .indeed loveable. . .
1:36:35
. . .he can do some pretty
cruel things. . .
1:36:38
. . .when you're filming.
1:36:41
Because it seemed to me at times. . .
1:36:44
. . .that the end justified the means.
1:36:54
Don't!
1:36:56
Stop it!
1:37:01
Here's Johnny!
1:37:05
It was a very difficult role.
1:37:07
It was a long shoot
and I had to cry and hyperventilate. . .
1:37:11
. . .and carry a little boy and run. . .
1:37:14
. . .for most of the time we shot.
1:37:17
And that was about a year,
a little over a year.
1:37:21
Anywhere between 30 and 50
videotaped rehearsals. . .
1:37:24
. . .before we even rolled film.
1:37:26
I wouldn't trade the experience
for anything.
1:37:29
Why? Because of Stanley.
1:37:33
And it was a fascinating
learning experience.
1:37:37
It was such intense work,
that I think it makes you smarter.
1:37:42
But I wouldn't want
to go through it again.
1:37:48
We were working with the material
in the book. . .
1:37:51
. . .and trying to make music
that fit the mood. . .
1:37:55
. . .of an updated Gothic horror story.
1:37:58
Which is what The Shining is,
really, as a novel, in any case.