:15:01
You want to be tight. Lose that one.
Get that camera over there.
:15:06
Also tight, like on a hundred,
on a flamethrower over here.
:15:18
I was having some vodka
with Kazik and Marek.
:15:22
Kazik said, ''Do you think
the Holocaust could happen again?''
:15:27
I said in my typical, hopeful way,
''I hope not. ''
:15:31
He said he thought it could.
:15:36
Having seen a film
or documentary about it. . .
:15:39
. . .nothing can compare
to being present at it.
:15:44
It's just overwhelming to know
that this actually happened.
:15:50
Mordechai was a teacher
interested in philosophy and history.
:15:56
He asked, ''How can a moral man maintain
his moral code in an immoral world?''
:16:02
Which is a relevant question
in occupied Poland.
:16:05
In the Jewish Ghetto, especially.
What do you do?
:16:09
This film must overcome to show
what is impossible to describe. . .
:16:16
. . .in the human language and
in the human situation. Impossible.
:16:21
I'm not going to give up my hope.
:16:25
But I feel, unfortunately, that. . .
:16:28
. . .the question about how you live
morally in an immoral world is. . .
:16:34
. . .more present than
I anticipated it to be.
:16:38
To remind people to remember
what they have not experienced.
:16:42
To force them to remember.
:16:44
Jon Avnet's picture
is running parallel to that.
:16:48
To force you to remember. . .
:16:52
. . .man's inhumanity to man.
:16:54
In rehearsal. . .
:16:56
. . .when I saw the level
of commitment. . .
:16:59
. . .the emotional connection of actors
to the material and characters. . .