25th Hour
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:06:01
Coming and going
at the same time.

:06:03
Seven years, man --
that shit ain't no joke.

:06:05
Man, that's nervous, man.
:06:07
That's the word.
:06:08
Damn, you all right?
:06:09
I'm trying not to think
about it, you know?

:06:12
What -- what is this?
What -- what's going on here?

:06:14
That's the legendary
DJ Dusk, man.

:06:16
That's my man
from Fort Greene.

:06:18
He's nice.
1 7 years old, man.

:06:19
- 1 7?
- Motherfucker's 1 7!

:06:22
But he gets the girls
jumping, man.

:06:23
And don't worry
about the crowd.

:06:25
- V.I.P '. s set up for y'all.
- These are my people here.

:06:27
Do you want us
to come in here?

:06:29
No, you're going through the
back, and the door'll be open.

:06:31
- Don't worry about that.
- Thank you.

:06:32
Hey, listen up,
don't lose your temper

:06:34
until it's time
to lose your temper,

:06:36
you hear me?
:06:39
Take care of yourself.
:06:40
I'll catch you
on the other side.

:06:41
I'll see you when I see you.
:06:49
Hey, Elinsky!
:06:52
Mr. Elinsky!
Oh, my God!

:06:54
What are you doing here?
:06:55
I-I didn't know that you
ever left the school.

:06:57
I thought you had a bed
in the boiler room or something.

:07:00
Um...
:07:02
Mary D'Annunzio.
:07:03
Mary "B-minus" D'Annunzio,
that's me.

:07:05
I-I'm kidding.
It's not a big deal.

:07:08
No, it's okay. I'm here
with friends, so I have to go.

:07:11
That guy who came to class
today? He knows people, right?

:07:14
I mean, so, do you think
he could get us in?

:07:17
No, I don't --
I don't think --

:07:18
You know, they're not
letting anyone in right now.

:07:20
They say it's already
too crowded,

:07:22
but I have to get in there --
I mean, I have to.

:07:24
You're a fan of Dusk?
:07:27
Yeah, s-sure.
:07:29
He's the absolute truth, right?
I mean, he is so truth.

:07:31
I can't believe
that you're into Dusk.

:07:34
No offense, but I thought
you'd be more into show tunes

:07:36
or Barry Manilow or something.
:07:38
No, I think -- I think Dusk
is very good.

:07:41
Actually, I -- I mean,
I prefer his earlier work.

:07:44
- Hey, Jake!
- His earlier work?

:07:46
Yeah?
:07:47
What are you doing?
:07:48
I'm...
:07:49
Come on. I got this guy,
he's holding the door.

:07:51
- We're together.
- Let's go.

:07:53
You're the guy
with the dog, right?

:07:55
You again. Yeah.
Isn't it past your bedtime?

:07:57
Oh, no. I'm with Jake.
We're -- we're lovers.


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