:40:00
job interviews...
life-changing transitions.
:40:03
You need to make allowances
:40:05
for the emotions
that this will bring up.
:40:08
Yeah?
:40:09
He convinced her
she could be an artist.
:40:13
They were going to live
in a houseboat in Amsterdam...
:40:16
a sailboat off the coast
of Sardinia.
:40:18
He'd compose, she'd sing
and tell him he was a genius.
:40:22
Please, l'll have a double order
of escape fantasy
:40:25
and a side of running away.
:40:26
He was losing interest?
:40:28
l saw it coming.
:40:29
He'd replaced her in his show.
:40:31
That bastard hurt her.
:40:33
You know, she hasn't
dated anyone in two years.
:40:36
Was he a jealous guy?
:40:38
He didn't like her friends,
particularly the guy friends--
:40:42
particularly, one friend--
this guy, Harrison Hobart.
:40:46
He felt threatened by me.
:40:48
Katie and l are close,
and one day he was being
:40:51
a bit of a bully psychologically
and l said something.
:40:55
He turned on me.
:40:56
He just started poking me
in the chest
:40:59
with his... with his finger
:41:01
until, finally,
l stopped backing up.
:41:03
You know, l didn't realize
he had a bottle in his hand.
:41:07
He put you in the hospital.
:41:09
Yeah, well,
it was only overnight.
:41:12
Why didn't you press charges?
:41:15
lf you had pressed charges
:41:18
Katie might've held it
against you?
:41:20
Yeah, probably.
:41:26
You see
:41:28
Embry didn't want to admit it
:41:30
but Katie and l had
much more in common
:41:32
than the two of them did...
:41:34
and he apologized, so...
:41:36
What is your relationship
with Katie?
:41:39
Oh, man, l wish l knew.
:41:41
You dating her?
:41:45
l don't know.
:41:46
Well, sort of.
:41:47
Well, either you are
or you're not... right?
:41:51
ls this about Embry
or is this about Katie?