:53:02
I want to know how it feels to care
about something passionately."
:53:10
- Hey.
- Morning.
:53:12
Hey, you two. Up early for a change?
:53:17
- You seem chipper.
- I'm good. I have some new ideas.
:53:21
God, you guys are so smart.
It's like a brain factory in here.
:53:26
- I got some ideas too this morning.
- He got really, really good ones.
:53:31
You know, in a Donald sort of way.
:53:33
I'm putting...
Hey! What?
:53:38
I'm putting in a chase sequence.
So the killer...
:53:41
...flees on horseback with the girl.
The cop's after them on a motorcycle.
:53:44
And it's like a battle between
motors and horses.
:53:47
Like technology versus horse.
:53:50
And they're still all one person, right?
:53:52
Well, that's the big payoff.
:53:55
- It sounds exciting.
- Thanks, man.
:53:57
- Thanks.
- See, I told you he was gonna like it.
:54:01
- You're my muse. You are.
- I love being your muse.
:54:06
I'm so happy about that.
:54:10
I'm picking up an order for Kaufman.
:54:30
- Valerie.
- Hi, Charlie.
:54:32
It's quite a coincidence
bumping into you.
:54:34
I'm sorry I didn't call you back.
I was away last week.
:54:36
- That's okay.
- I meant to because...
:54:38
...things are going really well now,
and I wanted you to know.
:54:41
Well, that's great.
I'm anxious to see something.
:54:43
You should sit down because
I'm here with Susan right now.
:54:46
And she's dying to meet you,
so it's funny bumping into you.
:54:48
- Have a seat.
- Susan Orlean is here?
:54:50
Yeah, she's here in town for a reading
or something. She's just on the phone.
:54:56
Sit down. Have a seat.
She's dying to meet you.