Adaptation
prev.
play.
mark.
next.

:30:01
So the cop gets obsessed
with figuring out her identity...

:30:03
...and in the process
falls in love with her.

:30:06
Even though he's never even met her.
She becomes like....

:30:09
Like the unattainable.
Like the Holy Grail.

:30:12
-lt's a little obvious, don't you think?
-Okay, but here's the twist.

:30:16
We find out that the killer...
:30:18
...really suffers from
multiple personality disorder. Right?

:30:21
See, he's actually really the cop
and the girl.

:30:25
All of them are him.
lsn't that fucked up?

:30:29
The only idea more overused than
serial killers is multiple personality.

:30:34
On top of that, you explore
the notion...

:30:36
...that cop and criminal are
really two aspects of the same person.

:30:39
See every cop movie ever made
for other examples of this.

:30:42
Mom called it psychologically taut.
:30:45
The other thing is, there's no way
to write this. Did you consider that?

:30:49
l mean, how could you have somebody
held prisoner in a basement...

:30:53
...and working in a police station
at the same time?

:30:58
-Trick photography.
-Okay, that's not what l'm asking.

:31:01
Listen closely.
What l'm asking is:

:31:04
ln the reality of this movie, where
there's only one character, right?

:31:09
Okay?
:31:10
How could you...?
:31:14
What exactly would...?
:31:18
l agree with Mom. Very taut.
:31:20
Sybil meets, l don't know....
"D"ressed to Kill.

:31:23
Cool. l really liked "D"ressed to Kill.
:31:25
-Until the third act denouement.
-That's not how it's pronounced.

:31:31
Sorry. l--
Okay, sorry.

:31:39
-Some key lime pie for you today?
-Okay, yeah. That sounds great.

:31:42
l'll cut you an extra-large slice.
Preferred customer.

:31:45
-Thank you. That's really sweet of you.
-Well, l'm just a sweetie, ain't l?

:31:49
-Still reading about orchids, l hope?
-Yes, l am.

:31:52
This friend of mine
has this little, tiny pink one...

:31:55
...that grows on a tree branch
just like that.

:31:58
-l can't remember--
-That's called an epiphyte.


prev.
next.