:49:00
-You got the money?
-l almost got it.
:49:03
l'm still light 1 5 large.
But don't worry about it, l got it covered.
:49:08
All l gotta....
:49:09
All l gotta....
:49:11
Cut! Cut! Can you do something
about the goddamn smoke?
:49:15
Cut!
:49:17
Can you do something
about the damn smoke?
:49:22
This is the trouble
with shooting on location...
:49:25
...although it's worth it
for the authenticity.
:49:29
Well, it looks authentic.
:49:31
Hey, Tony!
:49:33
Tony.
:49:34
Anthony Bella, Nicky Caesar.
:49:37
-This is Paul Vitti.
-You don't have to tell me who he is.
:49:41
-lt's a pleasure to meet you, mate.
-Hey, mate.
:49:44
l don't believe this. An English guy.
:49:46
-You ain't even ltalian.
-Australian-ltalian.
:49:49
-There's a lot of paisans down under.
-Down under what?
:50:00
-You like to laugh, don't you?
-lt's a nervous defense mechanism.
:50:04
l don't have to do it if it bothers you.
So l'll just--
:50:07
So, Paul, are you gonna join us?
:50:09
l'm thinking l might.
l like the whole setup here.
:50:12
Sensational, mate. l can't wait to work
with you. l got a lot of questions for you.
:50:16
-All right, mate.
-All right.
:50:18
-Can we get this fucking shot?
-Yes, yes.
:50:21
Paul, thank you. And welcome.
:50:25
Welcome aboard.
:50:27
Couple of things.
:50:29
l don't know who makes these decisions...
:50:31
...but there are things that
l see that don't look right.
:50:34
Yes, l sensed this myself.
:50:38
Which elements strike you as wrong?
:50:40
Well, the people, mainly. l mean,
you got a boss who speaks Australian.
:50:44
-What the fuck is that about?
-Not my first choice.
:50:48
-And your background is what?
-Theater, mostly.
:50:51
That figures. l got some people
l could bring around...
:50:54
...that will add a certain authenticity
to the whole thing.
:50:57
l would be eternally grateful
to you if you could.