:55:02
As you can probably tell.
:55:09
Then do the right thing. Understand?
:55:12
Yes. Yes, l do.
:55:19
Goodbye.
:55:24
No hard feelings.
:55:27
No, and probably never again.
:55:32
We're gonna need a grapple or a crane.
Fifty-foot boom, at least.
:55:37
l seen one in Bayonne, but l'll call around.
:55:40
All right, see what you can do.
:55:41
And we're gonna need a city bus.
Anybody got ideas about that?
:55:44
l got a guy in the Transit Authority.
He owes me big.
:55:48
-Let me know when you want me to call.
-Hello, Paul.
:55:53
-Hey. How you doing?
-Hi, guys. How are you?
:55:55
-Patti, how you doing?
-Good. l guess everyone's gone Hollywood.
:55:59
Excuse me. This is a closed set.
We're about to start shooting.
:56:02
Yeah? So am l. Let's walk. Come on.
:56:05
-l heard you had some more trouble.
-Yeah, Lou the Wrench took a shot at me.
:56:10
l don't have to tell you, Paul. Alone on
the streets, you don't stand a chance.
:56:14
That's what the family is all about.
:56:16
Since the old days when
the grandfathers first came over.
:56:18
lt's not something you walk away from.
:56:20
When you're a Jet,
you're a Jet all the way.
:56:23
-What?
-Nothing.
:56:26
So you wanna tell me what's going on?
:56:28
l see you have your whole crew
back together.
:56:30
Nothing's going on. They're actors now.
:56:32
Don't bullshit me, Paul.
:56:34
l know you're planning something,
and l'm feeling left out.
:56:39
All right. All right, l'll tell you.
Something's going down.
:56:43
You'll get your end.
:56:45
Just let us do what we gotta do.
lt'll be fine.
:56:48
Okay?
:56:50
You're a good friend. l would never
insist on something like this...
:56:53
...but l'd feel better if you'd bring Eddie
and a couple of my guys in...
:56:57
...you know, to help you with the job.
:56:59
Eddie ''Yeah, what?''