Analyze That
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:55:02
As you can probably tell.
:55:09
Then do the right thing. Understand?
:55:12
Yes. Yes, I do.
:55:19
Goodbye.
:55:24
No hard feelings.
:55:27
No, and probably never again.
:55:32
We're gonna need a grapple or a crane.
Fifty-foot boom, at least.

:55:37
I seen one in Bayonne, but I'll call around.
:55:40
All right, see what you can do.
:55:41
And we're gonna need a city bus.
Anybody got ideas about that?

:55:44
I got a guy in the Transit Authority.
He owes me big.

:55:48
- Let me know when you want me to call.
- Hello, Paul.

:55:53
- Hey. How you doing?
- Hi, guys. How are you?

:55:55
- Patti, how you doing?
- Good. I guess everyone's gone Hollywood.

:55:59
Excuse me. This is a closed set.
We're about to start shooting.

:56:02
Yeah? So am I. Let's walk. Come on.
:56:05
- I heard you had some more trouble.
- Yeah, Lou the Wrench took a shot at me.

:56:10
I don't have to tell you, Paul. Alone on
the streets, you don't stand a chance.

:56:14
That's what the family is all about.
:56:16
Since the old days when
the grandfathers first came over.

:56:18
It's not something you walk away from.
:56:20
When you're a Jet,
you're a Jet all the way.

:56:23
- What?
- Nothing.

:56:26
So you wanna tell me what's going on?
:56:28
I see you have your whole crew
back together.

:56:30
Nothing's going on. They're actors now.
:56:32
Don't bullshit me, Paul.
:56:34
I know you're planning something,
and I'm feeling left out.

:56:39
All right. All right, I'll tell you.
Something's going down.

:56:43
You'll get your end.
:56:45
Just let us do what we gotta do.
It'll be fine.

:56:48
Okay?
:56:50
You're a good friend. I would never
insist on something like this...

:56:53
...but I'd feel better if you'd bring Eddie
and a couple of my guys in...

:56:57
...you know, to help you with the job.
:56:59
Eddie "Yeah, what?"

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