Bad Company
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:17:00
What's the CIA
have to do with this?

:17:02
He couldn't send me a letter?
:17:04
Your brother's dead.
:17:07
How?
:17:08
A helicopter crash.
:17:12
We need your help, Mr. Hayes.
:17:15
Your brother was working
on something with us.

:17:17
My twin brother was CIA?
:17:19
Yeah, a clandestine operative.
:17:22
And just before he was killed,
he set up a deal.

:17:25
What kind of deal?
:17:26
A very important one.
:17:28
So, we need you to stand
in for him, just briefly.

:17:33
- Pretend I'm him?
- Yeah.

:17:36
- For how long?
- Nine days.

:17:38
Nine days is not standin' in.
Standin' in is an hour.

:17:41
Nine days is goin' on tour.
:17:43
- Is this shit dangerous?
- There's some risk.

:17:45
What kind of risk?
We talkin' bad credit risk...

:17:48
or a bullet in the ass risk?
:17:49
- You'd be well compensated.
- For a bullet in the ass risk?

:17:52
I hope that's a lot
of compensation. How much?

:17:55
Throw out a number.
:17:57
- A billion dollars.
- You've overshot.

:17:59
I don't know what kind of budget
you're working with.

:18:01
We were thinking
somewhere in the region of...

:18:04
let's say... $25,000.
:18:07
Fifty. Yeah, fifty.
:18:09
I figure you started with 25,
so I know you got more.

:18:11
You ain't gonna give me
all your money. 50,000.

:18:14
This is what I'm thinking,
Mr. Hayes.

:18:16
With $25,000, your girlfriend
Julie could go to college.

:18:20
She wouldn't have to go
to Seattle.

:18:22
Or work with Ken.
:18:24
OK, here's what I'm thinkin'.
:18:26
You're gonna give me
$50,000 tax-free.

:18:29
OK, 50,000 after taxes
after the job is done.

:18:33
Half now, half after.
:18:36
Ten now, forty after.
:18:38
Unless my mother had triplets...
:18:40
you're gonna give me ten now,
ninety after.

:18:45
OK, you got a deal.
:18:48
- So, when do we start?
- Now.

:18:50
This is your brother's file.
Study it.

:18:50
This is your brother's file.
Study it.

:18:52
So there's homework.
:18:54
- Preparation.
- OK.

:18:55
Let's see, Dad sits on the board
of the New York Stock Exchange.

:18:59
Mom, co-artistic director...

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