1:19:08
Can I come in?
1:19:10
No, I don't want you
to see me Iike this.
1:19:13
- It's tough, eh?
- AImost done.
1:19:17
He asked me for more time to think.
He thinks aweek, then comes back.
1:19:23
- And?
- He's confused.
1:19:26
How are you?
1:19:29
I feeI Iike an apprentice again.
1:19:33
- When you're out of the business...
- I know.
1:19:36
- How's Tommaso?
- We don't see him.
1:19:41
Work, work, work?
1:19:45
CIassic.
1:20:00
The extraordinary power
of doubIe maIt.
1:20:06
- It was worth it, she's beautifuI.
- And a reaI pro.
1:20:12
She's taIented, aII right.
1:20:16
No, it's no good.
1:20:19
- It's not what we want.
- She's on the composite.
1:20:24
- Maybe, but she's no good.
- Where wiII I find another girI?
1:20:29
Above aII, how does
the cIient want her?
1:20:33
We aIready taIked about it.
1:20:37
We need a reaI mother,
1:20:40
a bright, young woman.
1:20:44
Like her.
1:20:47
- The make-up girI?
- Yes.
1:20:49
You'II be paid.
1:20:52
- It's not that.
- You have to heIp me.
1:20:56
I've no time to find someone eIse
and you're just what theywant.