:25:04
This is very good work.
:25:07
You have real talent.
:25:08
Oh, come on.
:25:10
I'm not looking
for your compliments.
:25:13
I want a serious critique.
:25:15
But I'm being sincere.
:25:17
These are
very original paintings...
:25:20
none of the usual tricks.
:25:22
But that's...
that's not specific.
:25:25
You have to trust
a true compliment
:25:27
as much as a critique.
:25:29
Yeah, well, some people
have told me not to trust
:25:32
what you say.
:25:34
They say if a girl asks
your opinion,
:25:36
and she's not
a complete fright,
:25:38
you'll gush all over her.
:25:41
I need you to tell me
one thing honestly...
:25:45
do you actually believe
that I should continue to paint?
:25:48
Yes.
:25:52
Yes.
:26:05
You'll like Tina.
:26:06
She's a brilliant
photographer,
:26:08
one of the few
with real taste.
:26:10
Do you know Alvarez Bravo?
:26:11
I know his work.
It's good.
:26:14
I'll introduce you to him.
He'll want to photograph you.
:26:16
Without clothes, of course.
:26:18
Of course.
:26:22
That's the thing
about these radicals.
:26:24
They're a little dangerous,
:26:26
but they definitely throw
the best parties.
:26:28
Ah, at last!
:26:30
The monster!
:26:32
Tina!
:26:38
This is Frida Kahlo.
:26:39
She's a wonderful painter.
:26:42
She wants to be
a wonderful painter.
:26:44
Oh, don't be shy.
:26:45
Nobody really thinks their own
stuff is good except Diego.
:26:48
He's the only one who's sure.
:26:50
Go find Siqueiros.
:26:51
He's been bad-mouthing you
again.
:26:53
You come with me.
:26:56
Great party.