:25:02
Oh, stop it, Andre.
I hate flattery.
:25:06
I don't care.
It is wonderful, wonderful work.
:25:08
You've seen all these,
I take it?
:25:10
Of course.
I tell her all the time.
:25:12
Julian Levy took a couple
of her paintings to New York
:25:15
and sold both of them,
:25:16
and she sold another four
to that actor...
:25:18
t-t-the gangster.
:25:19
Edward G. Robinson.
:25:21
Yeah, for $200 apiece.
:25:23
He was robbed.
:25:24
We haven't been able
to fool anyone else.
:25:26
My little paintings can't mean
anything to anyone but me.
:25:29
Stop!
:25:30
Get down!
:25:32
They put a bag by the door!
Get back!
:25:34
- Let's get inside.
- Get back!
:25:35
- Inside, quickly.
- There is no time.
:25:36
- Cover him! Hurry!
- Inside. Everybody inside.
:25:38
- Take him inside!
- Frida!
:25:40
Frida, what are you doing?!
:25:41
Hallowed be Thy name...
:25:43
I give you five seconds
to get out of here.
:25:46
One!
:25:47
- Two!
:25:53
It's all right.
:25:54
It's all right.
:25:55
Sorry about that.
:25:56
It was my mother's sisters.
:25:58
What do you mean?
:26:00
They were leaving icons
and sprinkling holy water.
:26:03
They think this house
is cursed,
:26:05
and that you
are the antichrist.
:26:35
I want you to think
about it seriously.
:26:38
You could be part of the
Mexican exhibition in Paris.
:26:41
What I really want is a show
in my own country.
:26:43
Which they will give you
:26:45
once you become famous
somewhere else.
:26:47
Your paintings should be seen.
:26:50
So, who is coming up with me?
:26:52
It's harder than you think.
:26:54
Ah, everything
is harder than we think.
:26:56
I'll go.
:26:57
Are you sure?
:26:58
If an old man can do it,
why not a cripple?