:47:01
you got to give me
something to go on,
:47:02
-We had it going before,
-Did he call?
:47:04
-Yeah,
-It's not working for me,
:47:06
OK, well, if you're
going to stay for lunch,
:47:08
let's talk about
whatever it is--
:47:09
No, I gotta run an errand,
so next time--and maybe it's me,
:47:12
All right,
:47:13
We'll figure it out,
Don't worry about it,
:47:15
All right. I think it was good!
Oh, thanks.
:47:16
No, it's the movie,
:47:16
No, it's the movie,
:47:19
As far as he's concerned,
:47:19
As far as he's concerned,
:47:29
CALVIN: Hey, can you
hold that door for me?
:47:31
-Sure,
-Thank you,
:47:32
Got it?
:47:40
Excuse me,
:47:48
CARL: Oh, the film.
Well, the film--
:47:51
Artie and I wrote this.
:47:52
We started working together--
:47:54
really writing together,
about a year ago.
:47:56
We tossed around
a couple of ideas.
:47:58
And Artie's a pretty good
playwright in his own right.
:48:01
And we thought,
you know, maybe this--
:48:04
sort of my understanding
of Hollywood and everything...
:48:08
and his ability
to actually write...
:48:10
would be a good combination...
:48:12
and so we came up
with this idea...
:48:14
for what is now
Rendezvous, the movie.
:48:16
It's almost like a spy film
in the intrigue...
:48:20
of this romantic encounter...
:48:23
between this guy
that Calvin plays--
:48:27
I'm sorry, there's a...
:48:31
Uh, and this woman.
:48:33
And anyway,
I think it's a neat story.
:48:35
And I think it's a great cast.
:48:39
Um, uh, but, uh...
:48:44
Yeah. I'm sorry,
I have some--it's weird.
:48:47
I'm really happy about
the project. I really am.
:48:50
I got--you know, there's--
I've got issues with some of--
:48:53
Actually, Calvin. Calvin is,
I think, I don 't know--
:48:56
You know, other people...
:48:57
get more excited about him
than I do.