:53:00
He's--he's, uh,
:53:03
It was--they didn't--you know,
'cause he's forty today,
:53:06
and I was just gonna get him
some, I don't know, this--
:53:09
-Are you OK?
-Yeah,
:53:11
I just have to go,
I'm really late, so--
:53:12
-Are you sure?
-Yeah,
:53:18
I'll call you later.
:53:19
Oh, OK,
:53:21
Thank you.
:53:26
Um, you need to find him,
:53:26
Um, you need to find him,
:53:29
I don't know if he knows
I'm here at the office,
:53:31
so I have to have a contact
name in order to transfer you.
:53:34
Um, Harvey's not here
at the office right now.
:53:37
He sees on the TV a murder,
:53:40
and as he listens to the murder,
:53:40
and as he listens to the murder,
:53:44
His whole face
just goes white...
:53:45
and he bolts
from his apartment.
:53:46
Now, we follow him.
:53:48
The murders--they deviate
at this key point...
:53:50
for reasons nobody can
understand, because--
:53:53
T ell Trevors I'm not gonna
do it, I'm not gonna do it,
:53:55
Good, good, Go, Sorry, Go ahead,
:53:58
Aah,
:53:59
My brother Bob
should look at this,
:54:02
Yeah, Good, Good!
:54:05
-Great,
-Good,
:54:06
CALVIN: Motherfuckers,
:54:09
Did you see their faces
looking at us?
:54:10
Yes,
:54:12
It was like a labrador
staring at a Picasso,
:54:13
Right,
:54:14
Ed, we walked in there
:54:14
Ed, we walked in there
:54:17
-They want beer mugs,
-Yeah, right?
:54:19
I could so see myself
in that part,
:54:22
Right?
:54:24
Fuck!
:54:25
-It's all right,
-All right, I gotta go,
:54:27
-See you later,
-See you,
:54:31
Hey, Ed, keep the faith,
:54:34
It was good. It was good.
:54:36
-Mr, Liveright,
-Hey, hey, Bill,
:54:39
-Come on in,
-Thanks,
:54:41
-Ann?
-Yeah,
:54:42
My massage is here,
I'll call you back in an hour,
:54:45
-How about in back? Good?
-OK, sure,
:54:48
Um, what do you think
about the lighting?
:54:52
A little light--too bright?
:54:53
Whatever you're comfortable
with is fine, Yeah,
:54:56
I think a little darker,
:54:58
-Like so,
-Sure,