:40:01
I will need a lot of dancers...
:40:04
...because in the war there
are a lot of soldiers.
:40:08
But everyone dances in Geneva.
It is great.
:40:13
I want female dancers too, because
the soldier when dying...
:40:17
...lets his soul
get out of his body...
:40:22
...the ghost of which
will be a female dancer.
:40:26
With a white classic skirt
like 'Giselle'...
:40:29
...but with red stains of blood.
:40:33
Very good!
:40:34
Alicia loved it.
:40:36
It's good because life emerges
out of death.
:40:41
the female emerges from
the male.
:40:45
And from the earthly emerges the...
:40:51
The beach?
:40:55
And from the earthly emerges the...
:40:59
The water?
:41:01
The ethereal.
:41:04
The ethereal...
the impreceptible, the ghost.
:41:08
I have the music. It is from
Kristof Penderesky.
:41:13
It was written for the victims
of Hiroshima, but it's OK.
:41:17
Of course. Alicia remembers
it perfectly well.
:41:20
It's music for the battle.
It's wild and beastly.
:41:25
And regarding the music during deaths
I have a masterpiece...
:41:28
...which you will listen to,
right now.
:41:34
It will drive you crazy.
:41:43
Alicia, my dear.
:41:46
Good bye, my dear.
:41:56
Good bye, Katerina.
And you look beautiful.