1:05:02
So we'll put them
in the Dior Suite.
1:05:04
Yes, sir?
1:05:06
-They're in the hall.
-What are they doing?
1:05:08
-He's got something in his hands.
-Does it look serious?
1:05:11
Calm down,
it's just a letter.
1:05:13
-Find that girl.
-Certainly.
1:05:15
-He's coming.
-Be cool.
1:05:16
He's walking. Get out of here.
He's out of here.
1:05:20
Thank you very much.
That will be all.
1:05:38
Now....
1:05:40
Are you truly interested
in management?
1:05:44
Yes, very much,
sir.
1:05:47
Then l suggest that you go
to the Met tonight...
1:05:52
...and end all association
with Chris Marshall.
1:05:58
At least until you're a manager.
1:06:01
Then you can make
your own rules.
1:06:03
l'll make sure your
shift is covered.
1:06:21
-Mari.
-What happened?
1:06:23
-You can still be a manager, right?
-Yeah, if l break it off with Chris.
1:06:27
Break what off? No offense,
sweetheart. What planet are you on?
1:06:30
You don't get it.
None of you.
1:06:32
There was something
different about him.
1:06:35
Yeah,
it's called money.
1:06:36
-No, it's called--
-Don't say, ''love.''
1:06:38
-Don't let her say it.
-She's going to.
1:06:40
We connected,
you know....
1:06:43
-l felt it. Ty felt it too.
-Snap out of it, all right?
1:06:46
You are not in love with this man.
He is not in love with you.
1:06:49
You have no connections,
affiliations or loyalties.
1:06:51
You're from two different worlds.
Do you hear me?
1:06:55
-l hear you.
-Me too.
1:06:57
l don't know.
1:06:59
Come on,
Maris, you....