Maid in Manhattan
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1:03:01
Now....
1:03:03
Are you truly interested
in management?

1:03:06
Yes, very much, sir.
1:03:10
Then l suggest that you go
to the Met tonight...

1:03:14
...and end all association
with Chris Marshall.

1:03:20
At least until you're a manager.
1:03:22
Then you can make your own rules.
1:03:25
l'll make sure your shift is covered.
1:03:42
-Mari.
-What happened?

1:03:44
-You can still be a manager, right?
-Yeah, if l break it off with Chris.

1:03:48
Break what off? No offense,
sweetheart. What planet are you on?

1:03:51
You don't get it. None of you.
1:03:53
There was something
different about him.

1:03:55
Yeah, it's called money.
1:03:56
-No, it's called--
-Don't say, ''love.''

1:03:58
-Don't let her say it.
-She's going to.

1:04:00
We connected, you know....
1:04:03
-l felt it. Ty felt it too.
-Snap out of it, all right?

1:04:06
You are not in love with this man.
He is not in love with you.

1:04:09
You have no connections,
affiliations or loyalties.

1:04:11
You're from two different worlds.
Do you hear me?

1:04:14
-l hear you.
-Me too.

1:04:16
l don't know.
1:04:18
Come on, Maris, you....
1:04:21
You could be manager!
1:04:23
Think of it, girl. One of us...
1:04:26
...out there!
1:04:28
ln a blazer.
1:04:30
Yeah.
1:04:33
l don't have anything
to wear to this thing.

1:04:35
-Honey, look, it's not what you got.
-Baby, it's who you know.

1:04:39
-And what they got.
-You got it?

1:04:41
When you're a manager, your first
order of business is to get us--

1:04:45
Raises!

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