:23:01
This is the undoing
of the previous generations.
:23:05
This is filth!
This is blood poisoning.
:23:08
Are you a friend
of Marinetti's?
:23:10
ls that what this is about?
:23:12
Yes? Some sort of mad
reverse futurist?
:23:17
- Futurists?
- Yes, ltalians.
:23:19
They experienced the war
"pictorially."
:23:22
Like you, l'm hoping.
:23:26
Some of the ltalians
fought well.
:23:34
He served, right?
:23:36
Grosz? Yes he did,
Grenadier Guards, I think.
:23:39
- Bolshie, huh?
- No, not really.
:23:42
- Just pissed off.
- Oh, yeah.
:23:45
What's he pissed off about?
:23:47
He thinks people should have
the right to strike.
:23:50
And you, Rothman?
:23:52
- Are you pissed off?.
- About the right to strike?
:23:56
No, about your arm.
:23:59
You were gonna
be a painter, right?
:24:10
You're a funny one.
:24:14
- Well?
- I think it's good,
:24:17
but I think you could go
even deeper.
:24:19
Deeper?.
:24:22
- What do you mean, deeper?.
- I mean it's good,
:24:26
but I sense you're just
scratching at the surface.
:24:29
When I look at this work
l see a pretty solid technique,
:24:32
but what I am missing
:24:35
is an authentic voice.
:24:37
One gets the feeling that
you're holding something back
:24:39
and for the work to really leap forward,
to take the next step.
:24:43
l keep going back to this notion
of an authentic voice.
:24:46
What I mean to say is,
l was there,
:24:48
and you were there, and
l know what it looked like,
:24:52
but what did it feel like?
:24:55
That's what we want to know,
isn't it?
:24:59
Does any of what
l'm saying resonate?