:51:03
Bills, bills, bills, Fraulein.
:51:06
- Bills are so violent.
- Sorry, sorry--
:51:09
l couldn't stop him.
:51:12
There you are, Rothman.
Slept in late, did you?
:51:26
What are you doing?
:51:29
What do you mean,
what am I doing?
:51:31
You told me I had a show.
:51:33
A show?.
A show?.!
:51:37
l told you I would take some
of your work on consignment.
:51:40
They way I understand
that term is
:51:42
l keep some of your work
informally,
:51:44
"in trust" as it were
:51:46
and if I can move it,
l move it.
:51:50
How are you going
to "move it"
:51:52
if it's not up?
:51:54
Am I in your studio
looking over your shoulder?.
:51:57
No.
:51:58
So don't teach your grandmother
how to suck eggs.
:51:59
So you're not actually
going to show the work.
:52:02
No. And I will tell you why.
:52:05
"New Works" by Arp,
:52:08
Ernst, and Grosz
at Das Eisern Werk,
:52:10
November 15th to December 15th.
:52:12
So after December 15th.
:52:14
Can we take it
one step at a time?
:52:16
Listen, Rothman,
l've lost four years.
:52:20
Yes, we all lost four years,
:52:22
some of us a little more.
Do you want a show?.
:52:24
l'd kill for you
if you gave me a show.
:52:26
Don't kill for me, please.
Just do what you do.
:52:29
Be anxious, be nervous.
:52:31
Tell me you're the unknown
soldier come back to haunt us,
:52:34
with your brush, with
your brush. Can you do that?
:52:37
'Cause that's what
you got to do.
:52:39
You've gotta take this pent up
stuff you're quivering with
:52:42
and you've gotta hurl it
onto the canvas.
:52:44
lt doesn't have to be good
and beautiful,
:52:47
it just has to be true.
:52:50
And even if it's a lie,
make it an interesting lie
:52:52
and l'll put it up,
l swear.
:52:58
You do think l'm talented,
don't you?