1:31:00
lt's very interesting,
it's future kitsch.
1:31:02
- God, he sounds mad.
- Oh, he's barking
1:31:04
and what he's pushing makes the Kaiser
seem like a Sunday painter.
1:31:07
- I saw him speak.
- That sounds a bit of a worry.
1:31:10
No, he's dreadful. He just stands there
shouting slogans and posing
1:31:13
and the whole thing's
like a giant art project.
1:31:15
Of course the minute I said
l'd show him--
1:31:17
- Politics went out the window.
- Exactly.
1:31:18
lt's gonna be a big show,
a big, big, show.
1:31:21
- l'm gonna bring in some English artists--
- You can't afford it.
1:31:24
--French ones. There's this
character called Duchamp,
1:31:26
he's very interesting.
He does things with urinals
1:31:28
and wine racks-- says in
the future, everything is art.
1:31:31
Ah, the meshugener show.
1:31:32
Poppy!
1:31:34
The future is subversive.
1:31:36
And I don't want to see
any stiffs up front.
1:31:38
Yesterday there was nothing
but stiffs. I never got going.
1:31:40
l don't have any control
over who's in front.
1:31:43
Mensch, are you daft?
1:31:45
This is about control.
That's the thing about art--
1:31:48
you don't just
slap on the paint,
1:31:50
even if it looks that way.
1:31:52
l need more enthusiasm
up front.
1:31:54
l need the energy,
it's like a loop.
1:31:56
They give it to me,
l give it to them,
1:31:58
they give it to me.
Could you put that out, please?
1:32:00
lt bothers my voice.
1:32:04
And this is the last time.
1:32:07
- No more.
- What are you talking about?
1:32:11
- l'm through.
- You're through?
1:32:14
Find somebody else.
1:32:16
Rothman's gonna
give me a show.
1:32:19
Rothman?
Rothman?
1:32:22
Max Rothman?
1:32:24
Are you mad?
1:32:25
You think Herr Rothman
will lift a finger for you?
1:32:28
You have one of the most
authentic Germanic voices
1:32:31
l've ever heard.
And you're 30 years old.
1:32:33
lt's now or never.
What are you waiting for?.
1:32:38
They are your canvas.
1:32:41
That's your paint.
What are you waiting for?.
1:32:43
Let it out.
1:32:45
Let it out!