:30:02
So questions?
:30:05
Yes. The young lady
in the green sweater.
:30:07
Yes.
:30:10
Do you think that a deconstructive
approach to literary criticism...
:30:13
...that it leads to a cooler,
less emotional response in the reader?
:30:17
Good. That's an interesting one, isn't it?
:30:20
That is the question.
What's your name?
:30:22
-Holly Rossman.
-Holly. Holly, very good.
:30:25
The thing about critical theory
that is important to remember...
:30:29
-Holly. Holly Rossman.
-...the role the unconscious plays in it.
:30:36
Socialist Worker.
:30:38
-Holly.
-Stuart, not now.
:30:40
We've got to go do
some work with our tutor.
:30:42
Holly, come on.
:30:46
Socialist Worker.
:30:48
You know I was kidding about
Adam Ant, right? Don't do that to me.
:30:51
Right, but it is so important
to have a visceral reaction to the text.
:30:56
-But that's so reductive.
-Oh, absolutely.
:30:58
No, it's not. It's the emotion
expressed that really matters.
:31:02
Do you know Tarkovsky?
It's like Tarkovsky.
:31:03
I love Tarkovsky.
:31:05
Do you?
:31:07
Oh, he's my favorite director.
Tarkovsky and Bergman.
:31:10
I'm reading Bergman's
autobiography now.
:31:12
Really? Oh, my God, so am l.
:31:17
Great song.
:31:20
You know, I've gotta figure out
where to get my drugs from over here.
:31:24
I can get you some coke,
if you like. No probs.
:31:27
Do you know Nostalgia?
:31:29
-That's my favorite Tarkovsky.
-Yes, it would be. She likes brooding.
:31:33
It's on her CV.
Hobbies: suffering and brooding.
:31:36
-lsn't it, Holl?
-I love brooding.
:31:40
-You must be Jewish.
-Why?
:31:42
We had better go to semiotics.
Holly, are you coming?
:31:46
-You guys gotta get to class?
-No.
:31:49
-Another drink?
-Okay.
:31:56
-God, what a wanker.
-I know.
:31:58
-He fancies himself so much.
-Oh, poser.