:27:00
Afraid I'll run off?
:27:02
A bit.
:27:03
I won't run off.
I'm paid to do the film.
:27:07
Big kiss!
:27:15
Next week. he's at the inn
with us. He'll be fine.
:27:29
You won't dine with us?
:27:31
No. I'm tired.
:27:34
I have to go over my lines.
:27:36
And phone my boyfriend.
:27:38
Don't worry, I'm fine.
:27:40
Well, good night!
:27:45
She's cooped up in her room,
he's not even here.
:27:49
If they don't want me
to talk to them. I won't.
:27:53
I phoned the hotel.
:27:55
He's not out drinking,
he's already back.
:27:58
Good.
:28:00
A bottle of champagne?
:28:03
Taittinger, OK?
:28:09
...But your kind of scenes
don't make things easier.
:28:13
You said it.
:28:15
That's the problem.
:28:18
An intimate scene...
:28:21
A "nude scene", as they say...
:28:23
I hate that expression!
:28:27
...always frightens them a lot more,
:28:29
even though, paradoxically,
:28:33
it's what made them
want to do the film!
:28:36
They can't admit it to themselves.
:28:40
Once they've got the part,
and have to do the scene.
:28:44
and admit they wanted to do it,
:28:46
and that they wanted
to be watched doing it,
:28:51
then the fear sets in.
:28:55
Then they try and blame you:
:28:57
"You revel in this kind of scene!"
You trapped them!