:54:00
-And tasting it.
-What you smell?
:54:02
-Ass.
-Ass and feet, and tension and stress.
:54:06
Hey, brother, that ain't for you.
Look in that camera right now.
:54:11
Make a connection.
Look right into the lens.
:54:14
Say who it is that's supposed to be
in here instead of you.
:54:18
Look in the camera and say it.
l'm with you.
:54:21
l'm right here with you.
:54:24
All the people out there in TV land. . .
:54:28
. . .and Mama, l'm coming home soon. . . .
:54:30
-Your baby be home soon, Mama.
-Yes.
:54:34
The culprit...
:54:36
You'll see Mama soon.
:54:37
... that put me on the streets
to do his dirty work...
:54:42
. . .that's shitting on my freedom. . .
:54:44
Tell them.
:54:46
. . .is none other. . .
:54:48
This is an emotional moment.
:54:51
l get caught up when l know a brother
is ready to leave. l love it.
:55:00
... than Vargas!
:55:03
Caesar Vargas!
:55:05
He said it!
:55:08
Hope you're watching, bitch.
:55:10
-Shit.
-You did the right thing, brother.
:55:13
Find out where he is.
:55:14
-You going down, baby.
-You made a connection.
:55:18
When the people see this,
they'll get rallied up. l can tell.
:55:22
Now, where would a guy
like Vargas kick it?
:55:27
-You trying to get a brother killed--
-Not at all.
:55:30
l do this for the viewers.
We don't point fingers.
:55:33
We'll say, ""lf you don't want to run
into Vargas don't go to this place. ""
:55:38
Hanging out with him, you wind up
in this place. That's how you got here.
:55:44
Look to the camera.
:55:47
Think about the babies, the children.
Save the babies, brother.
:55:52
People...
:55:54
...and children in TV land and all
the little kids around the world...
:55:58
. . .don't be like me.