:06:00
I'd like to apologize to
Native Americans everywhere...
:06:03
for decimating
their population...
:06:05
and basically stealing
this country from out--
:06:07
Stick to antiquities, Stanley.
:06:08
No, no, no.
I'm a traditionalist...
:06:10
and far be it from me
to dispense with any excuse...
:06:13
to eat turkey and pecan pie.
:06:15
And so, to my recently returned
prodigal son.
:06:19
Hear. hear.
:06:21
To my distinguished
colleagues...
:06:23
at the Columbia history
department and their families.
:06:27
And, uh...
am I leaving anyone out?
:06:30
Eve.
:06:31
Yes. of course.
Although not here. she--
:06:35
Could it be? Could it be?
:06:40
To my lovely wife Eve.
:06:43
Ohh, I'm so sorry.
:06:45
# She may be the face
I can't forget #
:06:49
# A trace of pleasure
or regret #
:06:53
# Maybe the treasure #
:06:55
# Or the price
I have to pay #
:06:59
# She #
:07:03
# She #
:07:06
You turn the corner,
then hidden away...
:07:08
in this small forgotten
backstreet...
:07:10
is this old, old house--
:07:12
DAPHNE: How's your mom. Oscar?
She still in France?
:07:15
Yeah.
she went back a while ago.
:07:16
When's the last time
you saw her?
:07:18
I went back last summer.
:07:21
I wish I had
an exotic French mother.
:07:26
There's nothing exotic...
:07:27
about mothers who live
on the Upper East side.
:07:30
Well, they can be exotic
in their own way.
:07:31
You walk in, and it's a home,
a timeless home. You feel it.
:07:36
It's hard to put it
into words, but--
:07:38
My mom brings me back
the stupidest things.
:07:41
That's not what I'm saying.
:07:42
There was
this lovely fresco that--
:07:43
-It's very intimate.
-Completely out of context.
:07:45
...too small or whatever.
:07:47
There was some--
:07:49
That's cool.
You've got. Iike...
:07:51
that look. that faraway look.
That's cool.
:07:54
I've-been-studying
for-four-days thing.