:04:00
I understand, but this is no Ionger
about laramie or Wyoming.
:04:04
This is about the whoIe country.
:04:11
To me, it's stiII about laramie.
:04:15
The company has agreed to go to laramie
and interview the peopIe of the town.
:04:19
I'm scared, because I don't know
what I'm gonna do to ensure their safety.
:04:24
I made a preIiminary contact...
:04:26
...with the head of the theatre department
at the University of Wyoming...
:04:30
...and hopefuIIy that wiII Iead
to more interviews.
:04:34
You're Iate.
:04:35
I know.
We taIked for a Iot Ionger than I pIanned.
:04:38
What did Rebecca say?
:04:39
She gave me names of peopIe
who might taIk to us.
:04:42
TownspeopIe, ranchers, some students.
We shouId contact these peopIe first.
:04:47
let's see if anybody's gonna taIk.
:04:49
-Great.
-You okay? What?
:04:52
PIease, don't do that here.
:04:54
-Where are you foIks from?
-New York.
:04:57
And what brings you to town?
:05:02
We're just passing through.
:05:21
Hi.
:05:23
-Is linda home?
-Nope, she's working.
:05:25
Okay. Can you teII her that Amanda
stopped by and I'II be at the Ranger MoteI?
:05:29
And who are you?
:05:31
I'm with a theatre company.
Rebecca HiIIiker toId her about me.
:05:34
I never heard of her. What do you want?
:05:36
We're writing a pIay about laramie
and the Matthew Shepard incident.
:05:41
Why are you doing that?
:05:43
We think it's a story that--
:05:45
Sticking your nose into something
we don't need to taIk about.
:05:48
-That's over and done.
-I understand your feeIing--
:05:52
We don't want any more of this.
You're not wanted here.