Assassination Tango
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:18:02
You know, when you do
the work that you do...

:18:05
I always get a little nervous.
:18:07
-You do? Why?
-Yeah.

:18:08
I feel
it's totally foreign to me...

:18:11
and I don't know,
I don't know how to say it...

:18:14
but it's always mysterious
to me.

:18:18
I'm a mysterious man.
:18:19
Yes.
It always passes, but...

:18:24
I don't know,
the way I experience it...

:18:26
it's very strange.
:18:29
It's like you become someone
else for a little while...

:18:33
and then you're back.
:18:36
You mean I get sort of distant
for a while?

:18:41
Yeah, maybe.
It's more than that.

:18:43
Look, she's going to jump.
:18:45
-Oh. Oh, Jenny.
-Nice.

:18:48
-Beautiful, beautiful.
-Oh, that's wonderful.

:18:50
I used to ride
when I was a kid...

:18:52
but I'm afraid
I'm too old for that stuff.

:18:54
Oh, hey, don't start that.
:18:56
Don't start that with me.
:18:59
You know, I was thinking...
What do you think of this?

:19:02
I'm going to get her...
:19:04
ten more of these private
lessons for her birthday.

:19:06
-Think she'll like that?
-No, Johnny, she'll love that.

:19:09
-Think so?
-Oh, she'll love that.

:19:10
Good.
:19:12
You are so good to her.
:19:14
I think she's like the daughter
that you never had.

:19:17
-Think so?
-Mm-hmm.

:19:18
You know,
this may sound strange...

:19:20
but I think
she's better than a daughter.

:19:25
That's sweet. That is so sweet.
:19:28
She feels the same way
about you.

:19:30
-You think so?
-Yes, I do. She does.

:19:32
Well, I'm going to tell you
something right now--she better.

:19:35
She better, or she's in trouble.
:19:38
You're so good to us.
:19:40
I have to be. I love her.
:19:55
Yeah. He leaves tonight.
:19:58
And it's like I said--
:19:59
if he doesn't get him,
then it's for expenses.


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