:32:01
He's giving us the tour.
:32:06
"Follow me," he says.
:32:26
It's like a fantasy
in here, isn't it?
:32:29
The craftsmanship.
The delicate beauty.
:32:32
That human hands created
these windows,
:32:34
that human eyes looked
at these windows.
:32:37
And then you realize
:32:39
that you're 12, 500 feet
beneath the sea.
:32:45
Oh, look at that woodwork.
:32:47
That's all wood, Genya.
That's all carved wood.
:32:51
But these things created by man,
:32:53
in this dark abyss,
where they just shouldn't be.
:32:57
They're not supposed to be here.
:32:59
Unbelievable.
:33:00
Who would've thought
that would still be there?
:33:02
It's the dream come true for me.
:33:08
What's significant
about the reception room
:33:10
is that this is where
Elizabeth Lines
:33:13
overheard a conversation
:33:14
between Captain Smith
and Bruce Ismay,
:33:16
the owner of the "Titanic. "
:33:18
And she heard Ismay
telling Smith
:33:20
to have the "Titanic" arrive
in New York a day early.
:33:23
I think we're going to beat
"Olympic's" time
:33:25
and arrive in New York
Tuesday night.
:33:40
We're holding
at the first-class entrance,
:33:42
starboard side.
:33:47
Isn't that beautiful?
Gosh.
:33:50
It looks like it's just been
made more beautiful by time.
:33:53
"Titanic's" main
first-class entrance
:33:56
was on "D" deck.
:33:57
And she had
two large gangway doors