1:02:03
and we're going on these dives.
1:02:05
There's an element
of risk involved.
1:02:08
It's a calculated risk.
1:02:09
But I think the idea
of suddenly being on the deck
1:02:12
and saying, "I love you,"
you know,
1:02:14
and trying to bear up.
1:02:16
"Now, just go in the lifeboats.
1:02:18
Daddy will be along
in a little while. "
1:02:20
That's just torturous.
1:02:22
Trying to make your family
think that it's okay.
1:02:25
You're just keeping up
a brave face.
1:02:28
Exactly.
1:02:29
Also, it's the question
of personal character
1:02:31
that you keep going back to.
1:02:33
For me, ever since
I was a teenager,
1:02:36
the whole idea
is the question of,
1:02:39
how would I have beared up?
1:02:41
Would I have had the character
to stand back
1:02:43
and shown that kind of nobility,
shown that kind of courage?
1:02:47
And as we romanticize
the image of "Titanic,"
1:02:52
and it's such a romantic time
and everything,
1:02:54
you want to put yourself
1:02:56
with the men
standing there with dignity.
1:02:58
But you really can't assume
1:03:01
what your character would be
in that moment
1:03:04
unless you've been through
that kind of thing.
1:03:06
Absolutely.
1:03:08
You see the doors,
the entrance to first class?
1:03:11
Yeah.
That's the entrance.
1:03:13
This is where the band played.
This open area right here.
1:03:16
The orchestra
would have gathered,
1:03:18
and they started playing
ragtime.
1:03:24
You think of the band in
terms of how heroic they were.
1:03:27
They played,
knowing that everyone else
1:03:29
was getting into a lifeboat
except them.
1:03:32
But how calming
that band music was
1:03:34
to the people who were onboard.
1:03:41
Okay.
1:03:42
This right over here
should be the Marconi Room.
1:03:46
Everyone knows
the important role
1:03:49
that the Marconi Wireless played
that night.
1:03:52
Senior Marconi Wireless Operator
Jack Phillips
1:03:55
and Junior Operator
Harold Bride worked in tandem
1:03:58
until the very end.
1:03:59
You should try S. O. S.
It's the new signal.