1:15:00
Missy, hold up. l got an idea.
1:15:05
Honey, what you been up to?
1:15:07
Bye, Michael.
Wait, come on.
Honey, come on.
1:15:09
Hold on. l came to apologize.
l'm not interested.
1:15:12
Give me a break.
1:15:15
What l did,
1:15:17
the way l handled things
was uncool, and l am so sorry.
1:15:21
Hey, and l want
to make it up to you.
1:15:23
ls that so?
1:15:25
l've got you three new jobs.
1:15:27
And you want me to do the choreography?
1:15:30
l am begging you.
1:15:34
Oh, l get it.
1:15:37
The artist asked for me, and
if you don't deliver, they're walkin'.
1:15:40
Am l right?
1:15:42
They want you, sure.
But so do l.
1:15:45
Michael, you got yourself
in such a bind.
1:15:48
Good luck getting out of it.
1:15:50
l'll pay. You know l got the money.
1:15:54
l don't want your money.
1:15:57
Are you sure?
You sure about that?
1:16:01
Because, uh, l could buy you
a little dance studio.
1:16:05
What about that? What about
you come back to work for me,
1:16:08
and l'll get you this.
1:16:12
You know what's funny?
1:16:14
When l first met you,
you were 1 0 feet tall.
1:16:20
And now l look at you,
you're this big.
1:16:24
l don't need your help. l'm gonna get
that dance studio on my own.
1:16:30
Five, six, seven, eight.
1:16:35
Hey.
1:16:39
- So you came.
- l had to.
1:16:42
l can't let these bustas get
in front of an audience doin' no--
1:16:46
- That's wack.
- ls that so?
1:16:49
l'm gonna give you something better.
'Cause it breaks my heart to see you
selling yourself short.
1:16:52
Oh.
1:16:54
- Let's see you bust.
- Let's do this.
1:16:57
Five, six, seven, eight.