:22:00
These three works form a whole:
:22:02
one is impossible
without the other two.
:22:04
The Holy Trinity!
:22:05
Could we descend from such
lofty heights for a second?
:22:08
-Lofty heights?
-Let's be down to earth.
:22:10
Surely you're not counting on
this poetico-balsamic painting
:22:12
to make you rich?
:22:14
But, well,
l'm bringing you riches.
:22:19
ln what form?
:22:21
-A matrimonial one.
-l beg your pardon?
:22:23
A charming young woman,
excellent dowry
:22:25
and huge expectations.
:22:28
Then l don't understand.
:22:30
She loves you, good Lord.
:22:34
You're serious.
:22:37
l thought it was a joke.
:22:43
-Someone wants to marry me?
-ls that a rejection?
:22:45
A categorical
and downright rejection.
:22:48
You don't know
what you're missing.
:23:01
-Tell me her name.
-Not on your life.
:23:03
lf she loves me,
l have the right to know her.
:23:06
l can offer her some form
of compensation.
:23:08
Don't even think about it.
:23:10
At poker, when you pass,
:23:12
does the other player
show you his cards?
:23:14
Arlette? What do you think?
:23:18
Charly! l didn't know you
were already here.
:23:20
lt's exquisite!
:23:22
-lt suits you.
-Do you think so?
:23:24
You wear it admirably well.
:23:26
l'm delighted to have
the authorization of an artist.
:23:29
-And a demanding artist at that.
-l imagine you are!
:23:32
After all, he is the head
of a cubisto-cuneiform school.
:23:34
Make fun of me, l don't mind.
:23:36
lt's all publicity.
:23:38
What do l care,
as long as they talk about me?
:23:41
Dadaism is over and out
:23:42
Cubism's had its day
:23:44
Nowadays without a doubt
:23:46
Coocooism's the way
:23:48
All these faddish art schools
:23:49
And their frantic need to be
:23:51
They're foolish food for fools
:23:53
Fatuous, freakish flummery
:23:55
Publicity, see
:23:58
When they follow a fad
lt's mad