Sinbad: Legend of the Seven Seas
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:22:01
And your hair would blow back
with the authority of it.

:22:03
Tim was capable
of just a massive range of things...

:22:06
in the wonderful performance
he gave to the king.

:22:09
Fabio animated Dymas.
He almost did everything himself.

:22:12
- Fabio did almost every shot.
- Almost every single shot.

:22:16
There's a lovely consistency as a result, too,
how strong Dymas is throughout.

:22:18
This is one of my favorite sequences,
a charming one.

:22:21
We always knew we wanted
the voyage beginning moment.

:22:25
But in most voyage movies...
:22:28
it's characteristic that these are sort of
upbeat and exciting beginnings...

:22:32
but this is a little bit more ominous.
:22:36
Rat, here, swinging and lighting
the lanterns...

:22:38
is just poetic, profound,
and really beautiful...

:22:41
with Wade Huntsman's color keys...
:22:43
giving all this a really luminous quality.
:22:46
The music does a great job of capturing...
:22:48
what you were talking about, Patrick.
It is a voyage...

:22:51
an exciting beginning,
yet there's a little melancholy edge to it.

:22:54
It's conflicted, like Sinbad.
:22:55
Harry Gregson-Williams was our composer
who did absolutely marvelous music here.

:22:59
It's both traditional action-adventure
but really classic.

:23:04
That map of Fiji was right off a board.
:23:07
Denise Koyama drew
that little Fiji girl up there.

:23:11
Backgrounds had a blast painting that stuff.
:23:14
It was the easiest assignment to give
a layout artist, "Here, draw pretty girls."

:23:20
But we had a lot of fun.
:23:22
Seth did such an extraordinary job
of designing the Chimera...

:23:26
and we had such a good time.
:23:27
It kind of composed itself.
:23:29
Anywhere you placed a camera
on the Chimera...

:23:32
you got such a great composition.
:23:33
And that sequence just shows off
the best shots we could find.

:23:38
Mick De Falco did the layout on that.
:23:41
Okay, nobody pay attention
that the sun is out now.

:23:45
Yeah, the joy of filmmaking,
you can ellipse time.

:23:49
No, this can't be real.
:23:52
It would be far too...
:23:57
This is more like it.
:23:59
Stolen from Venezia.

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